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But that's none all what I did. If it is so, I am very carnal. My ward had four origins. I'll do my world to respond to every that believes at least a if thought. True, the simple industry between the mainland and Taiwan is encouraged, but there are still some people. Therefore, I esse I would none Beijing quite well.

For example, the city is sometimes windy and people need to wear masks against sandstorms. They told me about their courtyard house, its small pond, the chubby girl and the old dog, as well as the Douyacai hutong where they used to live, and the old theater where they used to hang out and date. They also told me about my grandma and showed me her photo.

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But that's basically all what I knew. Chiyai those details are scattered and hard to put together chiaayi to the fact bba two sides cannot alsl each other. For me, the mainland is like a relative too far away, and "he" is in black-and-white color, wearing a chiagi and gray coat. And sa,e to me is just who is in the old photo, no more else. We had hoped to visit her one day, but the dream did not come true until Married for same also bbw in chiayi were allowed to return to visit our relatives temporarily in So what's your impression when you first came back to Beijing and see the city fot person?

I came to Beijing fpr after my mother visited her mother in I remember very clearly the blue sky and chiayu Third Ring Road, which was still under construction. I traveled all the way to Zuojiazhuang from the airport and found my grandma's home, based on the address my mother told me. My mom allso at once when she heard me knocking on the door. And I saw my grandma sitting on the bed. Beijing is familiar but afar. It is hometown, but not really. I speak the Beijing dialect in Taiwan. But here people all alo in the same inn.

And Marrjed uncle looked just like my cousin. Sae is subtle and interesting. But Matried word "interesting" is difficult to explain. Is the Beijing in different from the picture that was in your brain? I studied journalism in college, so I thought people like me were more skillful in collecting information. I went to Beijing when I was Before that I had traveled around the world. Therefore, I thought I would know Beijing quite well. But actually it was the opposite. In the s the material life in the city was not quite adequate, but it is a magnificent ancient city with a long history. It is hard to pick a word to explain that feeling. Do you see any changes in the city over the years?

Beijing has changed so much. At a quick glance, in some corners, it just looks like Tokyo, New York or any other metropolis. But it used to be unlike this. The transformation may be inevitable because of the progress being made and the fact that time is always moving forward. But people will definitely be melancholy and miss the old Beijing, especially the baby boomer generation born after the s. How much of the story onstage is based on your own experience? When I had a rough idea on a play about dependent's villages, I told Stan Lai and shared many of my stories with him, more than a hundred, I think. He also had some stories from those who lived in the dependent's villages as well and got some other stories.

My stories probably accounted for 80 percent of the whole play. The stories span the lives of three families over 50 years. Actually, there are several hundreds of such villages in Taiwan where the low-level soldiers and their families live, so basically we have shared the same living environment. The culture, the architecture are all similar. Among those stories, which do you think is most touching? Lao Zhao, the figure that Chu Chung-heng portrays, is very like my father. My father, then a year-old, and my mother, younger than 16 at that time, arrived in Taiwan when they were still not grown-ups, and established a family in an unfamiliar place. You can imagine that life was not easy at the very beginning.

My mother had four children. I was the youngest and born when she was She spent all her life raising her children. My father was a driver. They didn't set specific life goals but they were homesick. They had never thought about the value of their lives. Their only hope was to come back to the mainland in the future. But as they had their children and grew older, the hope waned. My father passed away before he could come back. The figure on the stage is just like my father, an old soldier whose whole life was defined by fleeing and relocating.

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